In 2012, Mike McMaster, [154] an American robotics hobbyist, began working on his own model of WALL·E. Burtt had completed Star Wars: Episode III– Revenge of the Sith and told his wife he would no longer work on films with robots, but found WALL-E and its substitution of voices with sound "fresh and exciting".

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Stanton also wanted the lighting to look realistic and evoke the science fiction films of his youth. His tank treads were inspired by a wheelchair someone had developed that used treads instead of wheels. It says more about ecology and society than any live-action film—all the people on their loungers floating around, brilliant stuff. Lasseter and Steve Jobs were impressed and officially began development, [33] though Jobs stated he did not like the title, originally spelled " W.Pixar also studied the Disney Cruise Line and visited Las Vegas, which was helpful in understanding artificial lighting. At Metacritic, which assigns a normalized rating to reviews from mainstream critics, the film has an average score of 95 out of 100 based on 39 reviews, indicating "universal acclaim". Stanton, who is a Christian, [26] named EVE after the Biblical figure because WALL-E's loneliness reminded him of Adam, before God created his wife.

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O. Scott of The New York Times, Christopher Orr of The New Republic, Ty Burr and Wesley Morris of The Boston Globe, Joe Morgenstern of The Wall Street Journal, and Anthony Lane of The New Yorker. WALL·E remains active by salvaging parts from other inactive robots and lives with his pet cockroach as his only companion in a large truck designed to carry the robots. Stanton intended to have many colorful signs, but he realized this would overwhelm the audience and went with Eggleston's original idea of a small number of larger signs. Having struggled for many years with making the characters in Toy Story appealing, Stanton found his simple Robinson Crusoe-esque idea of a lonely robot on a deserted planet strong. WALL-E himself has been compared to Prometheus, [42] Sisyphus, [77] and Butades: in an essay discussing WALL-E as representative of the artistic strive of Pixar itself, Hrag Vartanian compared WALL-E to Butades in a scene where the robot expresses his love for EVE by making a sculpture of her from spare parts.It won Best Animated Feature at the 62nd British Academy Film Awards and was also nominated there for Best Music and Sound. When McCrea countermands the directive, AUTO and GO-4 mutiny, electrocuting WALL·E, forcefully putting EVE into standby, throwing them both down a garbage chute and locking McCrea in his quarters.

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I realized the point I was trying to push with these two programmed robots was the desire for them to try and figure out what the point of living was. Jim Capobianco, director of the Ratatouille short film Your Friend the Rat, created an end credits animation that continued the story—and stylized in different artistic movements throughout history—to clarify an optimistic tone.Disney and Pixar's WALL•E Hello WALL•E comes to life as a remote-controlled robot toy with dynamic lights and sounds! Newman said Stanton had thought up many ideas for how he wanted the music to sound, and he generally followed them as he found scoring a partially silent film difficult. The majority of the robot cast were formed with the Build-a-bot program, where different heads, arms and treads were combined in over a hundred variations. Stanton developed the metaphorical theme of the humans learning to stand again and "grow[ing] up", [38] [40] wanting WALL-E and EVE's relationship to inspire humanity because he felt few films explore how utopian societies come to exist.

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WALL·E is smitten by the sleek, otherworldly robot, and the two begin to connect, until EVE goes into standby mode when WALL·E shows her his most recent find: a living seedling. EVE brings the plant back to McCrea, who watches her recordings of Earth, concluding that they can and must save it. Burtt would find hundreds of sounds by looking at concept art of characters, before he and Stanton pared it down to a distinct few for each robot. Stanton chose angles for the virtual cameras that a live-action filmmaker would choose if filming on a set.But, Newman remarked that animation is so dependent on scheduling he should have begun work earlier on when Stanton and Reardon were writing the script. WALL-E won the Academy Award for Best Animated Feature and was nominated for Best Original Screenplay, Best Original Score, Best Original Song, Sound Editing, and Sound Mixing at the 81st Academy Awards.