Jeanloup Sieff: 40 Years of Photography

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Jeanloup Sieff: 40 Years of Photography

Jeanloup Sieff: 40 Years of Photography

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He always stressed the pleasure of taking photos. If his favourite source of that pleasure was in what was behind us, it was also in behinds themselves. No one can ever have been more taken by and taken more pictures of female bottoms. (In French, derrières.) Not arses, note. Or bums. Bottoms, always. ‘It is the bottom that remembers; it faces the past, whereas we advance inexorably into the future,’ he wrote. His photographs, however, communicate an undying fascination with the glossy world of the movies, of pleasurable lives lived under the Hollywood sky, of movie-still photography, where a moment of glamour is paused with all the expressionistic lighting effects of the film set still glowing.

OLIVIER ZAHM — He’s famous for his nudes. How did he get his models to be so confident in front of his lens? He sums up his work this way: “There are no reasons for my photographs, nor any rules; all depends on the mood of the moment, on the mood of the model. “ On art … I imagine him watching people – especially the women – as he sits at his table at Café de Flore. In fact, Jeanloup Sieff writes in his memoirs: “With each woman that passes, I live out a love affair, fleeting but complete. When I see them some way off and their silhouette attracts me, our idyll begins. The closer they come, the more I love them. At ten metres it is passion; at six, painful jealousy; at four, it’s unbearable: the heart-rending separation has already begun. And by the time they pass me, I am released and relaxed and smile calmly at them. They have become my friends, and we can exchange the conspiratorial glance of those who have experienced many things together and remember them all.”

B&H – B&H is a world renowned supplier of all the gear photographers, videographers, and cinematographers need and want to create their very best work. SONIA SIEFF — Jeanloup’s pictures were accurate, in the same way that Yves’ clothes were perfectly cut! Jeanloup Sieff was a star, one of the first French photographers to make it in America, a serial prizewinner (he won the Grand Prix National de la Photographie in 1992) and a big player in the commercial photography and advertising worlds. The other side of the same coin was that the artworld always treated him with a certain distance. He was too much the gentleman- amateur - in the tradition of Jacques-Henri Lartigue - to be fully accepted by the artworld, but then nor was he ever very sure that he wanted to be part of it either. He was an old-fashioned 'smudger': loving the very craft of photography and the life it led him. He affected a casual insouciance about his pictures, and didn't have much time for what he considered pretentious or laboured analysis. He revelled in a certain levity: 'I'm proud of the two adjectives superficial and frivolous', is how he put it in his last book. He liked a certain vulgarity, even thrived on it, but anybody who ever met him also remembers a man of tremendous erudition, who quoted the literature that he loved with a passion and grace that few could match. He was never lost for a quote. Sieff is heralded as one of the great international photographic talents of the last half-century and has left an undeniable imprint on his generation. Prolific in many fields, the variety of his imagery highlights his broad artistry, ranging from fashion, nudes, landscape and portraiture. OLIVIER ZAHM — Was there something specific about your father’s photography that Saint-Laurent liked?

Consider adding a topic to this template: there are already 5,876 articles in the main category, and specifying |topic= will aid in categorization.Jeanloup Sieff once described his approach which would become a personal hallmark as: “the pleasure in crazy light, the pleasure in making forms visible, to compose spaces and encounters”. The exhibition “Shadow Lines” unites his particular joy of photography, his unusual and often humorous pictorial language, and shows a compilation of dreamlike landscapes and poetic nudes from the late 1960s to the 1990s. Tamron – Need lightweight, compact mirrorless lenses? Tamron has you covered, with superior optics perfect for any situation. With weather sealing and advanced image stabilization, you’ll open up your creative possibilities.



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