Jeremy Healy and Allister Whitehead aren't as popular now as they were in the 90's but this cd is Dance Music Gold. Featuring artists that defied genres and the underground/overground such as Leftfield, Living Joy, Wildchild and Inner City. Well at least AH can restrain himself sticking with uplifting vocal (soul + choir in places) piano house pretty much throughout, it makes reviewing so much easier!

When this was new it was a big favourite of mine and back then with little else to compare it to I took it at face value. Jeremy is good for ,guts to do something different to most of the mix CDs around at that time by sticking his neck out with his experimental mixing style even if sometimes it didn't work out too well. The house scene in cities such as Birmingham, Manchester and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. Track 1-17 is shown as 'Tall And Handsome' on the sleeve and inlay, the correct track title has been included here. Let No Man Put Asunder (Love To Infinity’s Yellow Cab Mix) – First Choice (featuring Rochellle Fleming).

Unknown Artist • Pizzaman • Rozalla • Adeva • M People • Full Intention • Dina Carroll • X-Press 2 • Lisa Stansfield • D:Ream • Sybil • K-Klass • Definition of Sound • Raze • ATFC • Mirage • Basement Jaxx • Hustlers Convention • Black Box • Juliet Roberts • Sugababes • Bizarre Inc • Gabrielle • Alison Limerick • Inner City • Blockster • Blue Pearl • Nomad • Denko • Yazz • Prophets of Sound • Simon Harris • K.

The Phoenix’ just because it has this big room filling sound, then opens up into a beach party all of its own, it’s like dark chocolate with a strawberry fondant centre. Again I’m tempted to say ‘they don’t make ’em like that anymore’ but I can say that about most of the stuff on my blog, this set is a collection of the finest music of this type at that time I doubt you’d find a better example all in one place. The 103 third parties who use cookies on this service do so for their purposes of displaying and measuring personalized ads, generating audience insights, and developing and improving products. The mixing isn't brilliant by a long way, many of the tracks have slipped away in time but what jeremy does is take it off in many directions delivering something quite special.years later I rediscovered the cd's and they sound as sweet as ever, if you have any sound experience of early 90's clubbing, before clubland, these tunes will bring the memories flooding back.